Lostgens’

Lostgens’ contemporary art space and collective is a public platform for artistic and cultural dialogue in Kuala Lumpur where contemporary art, activist community leaders, progressive youth groups come together via originality, creativity, and social criticism. Lostgens’ has initiated and implemented various collaborative projects highlighting issues regarding the arts, politics, the environment, community, and human rights. At their core, Lostgens’ believes that art should remain rooted as the center of culture. Thus, the contemporary art projects created by Lostgens’ tend to revolve around socio-political discourse affecting Malaysia.

Lostgens’ also maintains that art must to be known and seen by the public on a regular basis in order to engage with society as a whole and its many systems and institutions. By empowering citizen participation in the arts in many communities, Lostgens’ art emphasizes many specific elements of contemporary culture in Malaysia, making broad topics intimately relatable to people from various strata. Lostgens’ projects aim to create personal engagement with cross-cultural, inter-ethnicity and inter-religious art, emphasizing that which seems foreign upon face-value.

Alongside Lostgen’s various visual art exhibitions, performance art events, screenings, forums, and much else, the collective also programs short-term educational courses, primarily intended for adults. The Lostgens’ Class program includes courses and lectures on philosophy, art history, psychology, anthropology, history, theory, music, and a range of other topics on current issues prevalent in contemporary Malay society and beyond

City

KualaLumpur

Country

Malaysia

Region

Asia

Year of Creation

2004

Featured Project

Lorong Hantu Kecil Community Art Event
Out of concern about the rapid development of the MRT (Mass Rapid Transit) stations in Kuala Lumpur in 2011, which relied on a series of disruptive land acquisitions by the government-owned “Prasarana” company, several social movements were initiated by local grassroots communities in protest. These initiatives managed to salvage a few historic heritage buildings in Jalan Sultan and the surrounding areas. However, as commercial interests escalated, the once quiet and traditional area continued to feel the pressure of further displacement caused by rapid urban expansion, gentrification, and corporate development. Since 2011, many buildings were acquired by large capital-owners, raising rent prices and forcing small businesses out of the area. Lorong Panggung is a recent victim affected by redevelopment in the area. In 2018, notices were posted to vacate the buildings along Lorong Panggung, marking the beginning of imminent change to the area, which went forward to drastically alter the cityscape around Petaling Street. Rich cultural histories and collective stories of the “Little Ghosts’ Alley” would remain only as memories for years to come. Thus, in 2018, Lostgens’ collective created a project that marked the tragic culmination of this era of redevelopment: a public street art show, which included a historical photography exhibition, music performances, poetry readings, street theatre, lion & dragon dances, and more. Ultimately, Lorong Hantu Kecil Community Art Event sought to celebrate the many cultural artifacts and collective memories of a historic district brought down by corporate “development,” subversively advocating for the right of a people to retain ownership of the fate of their own land and community.

Resources

Huang, Cheo Yee. “How the Gurdwara Sahib Polis still stands, despite losing its land.” malaysiakini, 30 Oct. 2016, https://www.malaysiakini.com/news/360973.

“Lin Lianyu Memorial Hall is about to start. Celebrate International Museum Day online.” 南洋商报, 15 May 2021, https://www.enanyang.my/news/20210516/Nation/421162.

“Lostgens’ Contemporary Art Space.” Art World Database, https://artworlddatabase.com/portfolio/lostgens-contemporary-art-space/.

“Lostgens’ Contemporary Art Space.” Residencies In The World, Arts Residency Network Taiwan, https://artres.moc.gov.tw/en/database/globalContent/ff8081818 dd9eef3018e89996e400039.

Maketab, Hanis. “Kuala Lumpur Zine Etc: an inclusive celebration of zines, art and independent voices.” Asia News Network, 29 Jul. 2025, https://asianews.network/kuala-lumpur-zine-etc-an-inclusive-celebration-of-zines-art-and-independent-voices/.

“Malaysia.” Goethe Institut, https://www.goethe.de/ins/my/en/ueb/gij/zst.html#slide0.

Ogawa, Nozomu. “Our Generation Hasn’t Lost Hope for the Future (…).” Alternative Asia, 18 Mar. 2016, https://alternativeasia.net/en/report/1762/.

Zheng, Wenqi. “Interview with Yeoh Lian Heng, Lostgens Contemporary Ast Space.” Issue 22: Space as Archive I, 數位荒原, 4 Aug. 2015, https://www.heath.tw/nml-article/interview-with-yeoh-lian-heng-lostgens-contemporary-ast-space/.

More Information

IMPORTANT: Profile pages for all collectives are in permanent development and have been built using information in the public domain. They will be updated progressively and in dialogue with the organizations by the end of 2024. New features and sections will be included in 2025, like featured videos, and additional featured projects. Please contact us if you discover errors. For more information on mapping criteria and to submit your organization’s information to be potentially included in the database, visit this page

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