Chim↑Pom

Formed in 2005 in Tokyo, Chim↑Pom is an artist collective known for their public social interventionist projects, typically geared towards raising awareness and discourse for various socio-cultural issues. Issues their art typically tackles includes environmental degradation, normative notions of value under capitalism, social taboos and marginalization (especially pertaining to gendered and Othered bodies), and the nature of mass media.

They have held exhibitions at a range of institutions around the world (including at MoMA), and have participated in various art festivals across almost every continent. Works produced by Chim↑Pom’s artists are held in collections at institutions such as the Centre Pompidou in Paris, the Solomon R. Guggenheim Museum in New York, the Hammer Museum in Los Angeles, M+ in Hong Kong, and at the Museum of Contemporary Art in Tokyo.

Since its founding, Chim↑Pom has participated in exhibitions around the world and developed various independent initiatives in gallery settings and through collaborations with other groups. Today, they opperate as the Smappa! Group, which focuses on projects in Tokyo’s Kabukicho district including public art initiatives, community engagement initiatives, and tackling issues in the night-club sector— including women’s’ safety in club settings. They operate several “host clubs” for women across Tokyo, aimed at fostering inclusivity regardless of nationality, race, or Japanese language ability.

City

Tokyo

Country

Japan

Region

Asia

Year of Creation

2005

Featured Project

Don’t Follow the Wind
Inspired by the 2011 nuclear disaster, Don’t Follow the Wind is an “inacessible” gallery in the surrounding radioactive zone of the Fukushima Daiichi Nuclear Power Plant. On March 11, 2015, Chim↑Pom started the exhibition which consisted of 12 separate art projects, each housed in sites lent by the local community, which was forced to evacuate their homes in 2011. The idea of the project largely revolved around ecological decontamination, as the exhibit would only be able to be viewed by the public once the radioactive zone is decontaminated. As of 2022, 11 years after the disaster, residents were allowed to return to the site, however the destruction of the land and housing was so thorough that most decided to never return. Along with the official exhibition project, Don’t Follow the Wind conducted numerous interviews with the many individuals and families impacted by the ecological disaster— a result of mismanaged natural resources. Since, over the years, many of the houses at the site were demolished, the artists’ works were largely destroyed as well, symbolically and literally epitomizing the environmental and human risk of nuclear fission.

Resources

Abe, Kenichi. “Chim↑Pom: A Brief History of Making the Sky of Hiroshima ‘PIKA!’.” Fine Print, Issue 25: monuments, Apr. 2021, https://www.fineprintmagazine.com/articles/25-chim-pom-a-brief-history-of-making-the-sky-of-hiroshima-pika. “Activist Art Challenges a Post-Disaster Japan.” PBS, 26 Jul. 2011, http://www.pbs.org/wgbh/pages/frontline/the-atomic-artists/chimpom-art/.

“Chim↑Pom from Smappa!Group.” Mujin-To Production, https://www.mujin-to.com/en/artist/chimpom/.

“Chim↑Pom: Happy Spring.” Mori Art Museum, 18 Feb. 2022, https://www.mori.art.museum/en/exhibitions/chimpom/.

“Energy of Chaos: Eight Essential Works of Chim↑Pom.” ArtAsiaPacific, 18 Feb. 2022, https://www.artasiapacific.com/people/energy-of-chaos-eight-essential-works-of-chim-pom/.

Petty, Felix. “chim↑pom: the subversive collective shaking up japan’s art scene.” i-D, 1 May 2015, https://i-d.co/article/chimpom-the-subversive-collective-shaking-up-japans-art-scene/.

Takahashi, Ryu and Brandon Stosuy. “Chim↑Pom on working as a collective.” The Creative Independent, 24 Jan. 2018, https://thecreativeindependent.com/people/chim-pom-on-working-as-a-collective/.

More Information

IMPORTANT: Profile pages for all collectives are in permanent development and have been built using information in the public domain. They will be updated progressively and in dialogue with the organizations by the end of 2024. New features and sections will be included in 2025, like featured videos, and additional featured projects. Please contact us if you discover errors. For more information on mapping criteria and to submit your organization’s information to be potentially included in the database, visit this page

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