Cercle d’Art des Travailleurs de Plantation Congolaise (“CATPC”)

Cercle d’Art des Travailleurs de Plantation Congolaise (the Congolese Plantation Workers Art League, or “CATPC”) makes art to generate global awareness about the lives, conditions, and similar colonial legacies carried on the backs of contemporary plantation workers around the world. CATPC uses the revenue generated by their art to rebuild local depleted forests— destroyed in order to accommodate plantations— for the benefit of the local community and the land’s natural ecology. The educational content in CATPC’s art highlights the nuanced historic and present-day positions of plantation workers. By transforming plantations (essentially, dilapidated ecological zones) back into forests, the local community becomes self-sustainable and food-secure. Biodiversity levels increase, important natural carbon sequesters are revived, and some of the effects of climate change can be, at least locally, mitigated.

Art should be regarded as the primary driver leading to these positive labor-related and ecological results: autonomous and resilient communities, and the restoration of the sacred forest lands. With the income generated from their art, in just one decade, CATPC has bought back 500 hectares of formerly desolate plantation land, where they continue to develop regenerative agriculture. In 2024, CATPC won the S+T+ARTS Grand Prize Africa and was listed on ArtReview’s Power 100— a prestigious annual ranking of the hundred most influential people in the arts.

City

Lusanga

Country

DRC

Region

Africa

Year of Creation

2014

Featured Project

Balot NFT
In 2022, CATPC mobilized the potential for change embedded in NFT technology, turning the (N)on (F)ungible (T)oken into a tool of decolonization. For generations, people confined to plantation-labor in Congo and elsewhere have been deprived of their culture and forced into unpaid labour, supporting the wealth and art in the Global North Using. In the Balot NFT project, CATPC created an NFT out of photographic reproductions of the powerful Balot Sculpture, carved in the Congo in 1931 during a Pende uprising against rape and other atrocities carried out by Belgian colonial agents and the Unilever plantation system. Ironically, today, the Virginia Museum of Fine Arts (VMFA) in the US has possession of the powerful sculpture, despite several loan requests by CATPC between 2020-2022. To reclaim the liberating power of this anti-colonial sculpture of a beheaded Belgian colonial agent, CATPC subversively created a Balot NFT of the sculpture from photographs of the object on the VMFA’s website, officially minted on February 11, 2022. Through digital ownership of the powerful Balot sculpture, radical new opportunities emerge for decolonial action, including buying back land once stolen and drained by colonialism and reintroducing community-oriented, sustainable, and equitable land use.

Resources

Articles:

Bosch, Veerle Vanden. “De Boze Geest van Een Belgische Koloniale Ambtenaar Waart Door de Biënnale van Venetië.” De Standaard, 14 Feb. 2024, www.standaard.be/media-en-cultuur/de-boze-geest-van-een-belgische-koloniale-ambtenaar-waart-door-de-biennale-van-venetie/40749868.html.

Kamal, Ali. “On The Judgement of the White Cube.” The Brooklyn Rail, Nov. 2024, https://brooklynrail.org/2024/11/architecture/on-the-judgement-of-the-white-cube/.

Pangburn, DJ. “A New Art Museum Stands on a Former Plantation in the Congo.” Vice, 29 Apr. 2017, https://www.vice.com/en/article/former-congolese-plantation-art-museum-catpc/.

“Power 100: Cercle D’Art Des Travailleurs de Plantation Congolaise.” ArtReview, 2024, https://artreview.com/artist/cercle-dart-des-travailleurs-de-plantation-congolaise/?year=2024.

Schelstraete, Inge. “Dekolonisatie voor dummy’s: Van Abbe wijst de weg.” De Standaard, 11 Feb. 2025, https://www.humanactivities.org/wp-content/uploads/2025/02/2025_02_11-De-Standaard-print_Het-Van-Abbemuseum-in-Eindhoven-kan-het-AfricaMuseum-leren-minder-verkrampt-te-dekoloniseren_Inge-Schelstraete.pdf.

Books:

Barois De Caevel, Eva, and Els Roelandt, editors. Cercle d’Art des Travailleurs de Plantation Congolaise. Sternberg Press, Jan. 2017. Print.

Vermeire, Milo, editor. La célébration internationale du blasphème et du sacré. Mondriaan Fund in partnership with Jap Sam Books, 17 Apr. 2024. Edited by Milo Vermeire; contributions by Hicham Khalidi, Amanda Sarroff, Ced’art Tamasala & CATPC, Renzo Martens; introduction by Eelco van der Lingen.

Interviews:

Vollam, Hannah. “Talking to CATPC – Introducing a reparative post-plantation economy.” metropolism, 30 Dec. 2024, https://metropolism.com/nl/feature/2024-2025-talking-to-catpc-introducing-a-reparative-post-plantation-economy/.

Partner Sites:

Human Activities. https://www.humanactivities.org.

“Lusanga International Research Centre for Art and Economic Inequality.” DutchCulture, https://dutchculture.nl/en/location/lusanga-international-research-centre-art-and-economic-inequality.

More Information

IMPORTANT: Profile pages for all collectives are in permanent development and have been built using information in the public domain. They will be updated progressively and in dialogue with the organizations by the end of 2024. New features and sections will be included in 2025, like featured videos, and additional featured projects. Please contact us if you discover errors. For more information on mapping criteria and to submit your organization’s information to be potentially included in the database, visit this page

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