Casco Art Institute: Working for the Commons

Casco Art Institute: Working for the Commons is an experimental arts platform where art is platformed to invite specific visions of the future of society. Art and “the commons” are two key aspects of Casco’s practice, which serve as tools and models for non-capitalistic ways of living together collaboratively and collectively. Casco Art Institute works to support this vision by creating a space or “Casco,” in Dutch— essentially a basic structure for implementing change, co-exploration, and study with collective art projects as well as organizational experiments. The institute co-develops collectivized art projects out of critical questions and radical imagination, aimed at challenging normative structures of society and power. Initiatives are process-based and place-specific, forming community from the generation of art and knowledge as common resources. Organizational experiments take place within all these projects, including the organization of Casco Art Institute itself. In essence, Casco’s mission is to offer an example of a commonly desirable institution of art and the commons that embodies diversity, equity, pluralism, and sustainability.

City

Utrecht

Country

Netherlands

Region

Europe

Year of Creation

1990

Featured Project

Sensing the Ways
Sensing the Ways is a collaborative arts activity for the public, co-created by Casco Art Institute, curators Aline Hernández and Marianna Takou, and Luke Cohlen. In Sensing the Ways, participating artists bring their past exhibited works as they engage with specific sites and their histories in order to provide adequate context for focused inquires about the many situated ways of knowing that emerge through body and movement, shaped by deep connections with the land, the beyond-human life worlds, and spirit. Integrating aesthetic, poetic, archival, and performative strategies, the artists’ works invite reflection on the possibilities that arise when we re-conceive of Knowing as an embodied practice— a practice that is intimate and firmly rooted in our five senses and our emotional presence in the world, and not necessarily as reliant on rational thought as one might assume. Resisting forms of rationalization, Sensing the Ways challenges modern/colonial epistemological frameworks.

Resources

“2008 – 2009: We Correspondents.” Dutch Art Institute, dutchartinstitute.eu/page/697/we-correspondents-a-project-developed-for-dai-by-casco-electric-palm-tree.

Beale, Ruth, and Amy Feneck. “Why the Artworld Needs Feminist Economics.” ArtReview, 23 May 2022, artreview.com/why-the-artworld-needs-feminist-economics/.

“Reimagining the Institution – the Nina Bell F. House Museum at Casco Art Institute: Working for the Commons.” Metropolism, 20 July 2023, metropolism.com/en/feature/50007_reimagining_the_institution_ the_nina_bell_f_house_museum_at_casco_art_institute_working_ for_the_commons/.

“Sensing the Ways: On Touch, Story, Movement, and Song.” e-flux, 25 Feb. 2025, https://www.e-flux.com/announcements/644642/sensing-the-ways-on-touch-story-movement-and-song.

Vella, Valentina. “Elephants in the Room at Casco Art Institute.” Temporary Art Review, 30 Jan. 2019, temporaryartreview.com/elephants-in-the-room-at-casco-art-institute/.

More Information

IMPORTANT: Profile pages for all collectives are in permanent development and have been built using information in the public domain. They will be updated progressively and in dialogue with the organizations by the end of 2024. New features and sections will be included in 2025, like featured videos, and additional featured projects. Please contact us if you discover errors. For more information on mapping criteria and to submit your organization’s information to be potentially included in the database, visit this page

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