Jatiwangi art Factory (“JaF”)

Established in 2005, Jatiwangi art Factory (JaF) is a community created to cultivate and platform local contemporary arts, and to circulate the importance of these arts and cultural artifacts in ongoing, living discourse in the rural area of Jatiwangi in West Java. Their manifold activities, always involving the local public, include a video festival, a music festival, a residency program, a discussion series, a TV station, and a radio station. For further context about the local conditions, at the beginning of the twentieth century, Jatiwangi’s clay industry made the region the biggest roof-tile producing region in Southeast Asia, peaking in the 1980s. However, in the 1990s, alternative roofing materials like ceramic and metal became popular, leading to the closure of many traditional factories in Jatawangi, and creating economic decline and hardship. Thus, JaF’s 2019 project, Kota Terakota, (or “Terracotta City”) marked the beginning of a new clay culture for Jatiwangi— a massive remodeling of the city based on its people’s desires and their collective vision for it. In this sense, Kota Terakota speaks to “terra” (land) not only as a material, but also as foundation, territory, or idea.

City

Jatiwangi

Country

Indonesia

Region

Asia

Year of Creation

2005

Featured Project

Clayground: ‘Hear, Touch, Taste’ Workshop Series
Led by Elgea Balzarie, an artist from Jatiwangi art Factory (JaF), this workshop series explored the historic role of clay in the Jatiwangi region as a medium that fosters community engagement and empowers the conservation of local lands. The workshops aimed to contextualize artistic practices within the everyday life of rural areas, highlighting Jatiwangi, West Java— the largest tile-making hub in Southeast Asia— and connecting the region’s practices to Manchester, the world’s first industrial city, and its ecological transformation. Balzarie represented JaF as an artist-in-residence at Esea Contemporary in July 2024, and aimed to address pressing trans-regional environmental and land justice issues through this cross-cultural exchange with local participants in Manchester. The three-part series began with an introduction to clay flute making, focusing on the act of hearing, and progressed to creating skin clay masks, centered around the act of touch. The workshops culminated in a cooking session that engaged all five senses and embraced the local cuisine of Jatiwangi.

Resources

Brunner, Sophie and Marinella-Sofia Gkinko, “Jatiwangi art Factory (JaF): Ismal Muntaha and Al Ghorie,” interview by Maria Mumtaz, OnCurating, Issue 54, https://on-curating.org/issue-54-reader/jatiwangi-art-factory-jaf-ismal-muntaha-and-al-ghorie.html.

“Jatiwangi art Factory,” Documenta Fifteen, 12 Jul. 2024, https://documenta-fifteen.de/en/lumbung-members-artists/jatiwangi-art-factory/.

“Jatiwangi art Factory (JaF),” esea contemporary, https://www.eseacontemporary.org/residencies/jatiwangi-art-factory.

Ross, Callum. “A Constellation of Collectives: Interview with Ade Darmawan.” ArtAsiaPacific, 11 Oct. 2016, https://www.artasiapacific.com/ideas/a-constellation-of-collectives-interview-with-ade-darmawan/.

More Information

IMPORTANT: Profile pages for all collectives are in permanent development and have been built using information in the public domain. They will be updated progressively and in dialogue with the organizations by the end of 2024. New features and sections will be included in 2025, like featured videos, and additional featured projects. Please contact us if you discover errors. For more information on mapping criteria and to submit your organization’s information to be potentially included in the database, visit this page

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